Video: Literary Salon Reading – Shots Kill Brain Cells

Hi everyone,

As promised, here’s the video from my literary salon reading last month:

It’s so strange to listen to myself speak! I hope you enjoy,

Yours truly,

Tamara Drazic

 

My First Reading at a Literary Salon

Hello Everybody!

I apologise for being so absent lately; it’s week 10 of the university semester and I am well and truly in over my head. Something exciting did happen last Thursday though… I did my first ever reading at a literary salon. I was chosen to read three of my poems to a small but enthusiastic crowd at the Menagerie in Kelvin Grove. I felt the nerves all day, and no matter what I did, my poems wouldn’t stop playing on repeat in my head. I tried to read, but my brain-voice reciting my poetry drowned out Capote’s Breakfast at Tiffany’s. Not even music could shut the poems up.

When it finally came to the evening, I had been at uni all day, and my nerves had kind of exhausted themselves. My house mates came to watch, and the other readers were my colleagues from my uni class, so the atmosphere was so comforting and familiar. It was a great experience, and although I flinched at the sound of my voice through the microphone at first, by the third line I felt just fine. I will be sure to share the link to the YouTube video as soon as it comes out.

As you may know, I’m going on a little trip to Melbourne on Wednesday, so I’ll definitely be posting about my time there.

Until then,

Yours truly,

Tamara Drazic

P.S. Submissions for Issue#2 of Spinebind magazine close in 6 days.

New Bookshelf Additions

I’ve been buying quite a few books lately, but I haven’t had the chance to do a lot of reading outside of my prescribed novels for University. I thought I’d write a post about the books on my shelf that I finally have time to read, and the books that I’ll hopefully be reviewing as soon as I go on winter break in June!

*In the Quiet, by Eliza Henry. I met this author at the Brisbane Writer’s Festival last year, and still haven’t gotten around to reading her debut novel. Main themes are love, loss, and grieving.

*House of Leaves, by Mark Z. Danielewski. This book is a cult classic, confusing, multi P.O.V., over 700 page, insane, experimentally structured romance about an evil house. That’s what I’ve gathered so far, but it’s all very confusing.

*The Rehearsal, by Eleanor Catton. I’ve recently started working on a book with similar themes within a theatre setting, so I wanted to pick this up and read it to make sure I don’t steer my story too closely towards this one. It’s by the author of The Luminaries.

*The Dust that Falls from Dreams, by Louis de Bernieres. I bought this over a year ago and haven’t gotten around to reading it yet. All I know is that it’s about children in the Edwardian age as it disintegrates into the great war.

*Les Miserables, by Victor Hugo. The 1000 page classic novel that my favourite musical is based off of. I really need to get around to reading this.

So they’re all of the novels that I’ve bought fairly recently and haven’t yet gotten around to reading. Have you read any of them? Which one should I read first?

Yours Sincerely,

Tamara Drazic

 

Christian Bök at the QUT Literary Salon

“Many artists seek to attain immortality through their art, but few would expect their work to outlast the human race and live on for billions of years. As Canadian poet Christian Bök has realized, it all comes down to the durability of your materials.”—The Guardian

This evening I attended the last QUT Literary Salon of the year, where Christian Bök was set to read from his book, “The Xenotext”. Bök is a Canadian poet who does a lot of experimental work. I’m a big fan of his book, “Eunoia”, where he dedicated each chapter to using only one specific vowel. His latest project is something I had never heard of before – he has encoded a poem into a strand of DNA and then put that DNA into the genome of a living, and unkillable, organism. This organism’s proteins then respond to the poem, and spell out the subsequent lines, creating a never-ending, living, and unkillable poem. This idea absolutely fascinates me, although I’m still a little confused about how it all works while I’m writing this. I feel so privileged to have heard Bök read out the first words that the organism responded with. The “Xenotext Experiment” means so much more to me than a fusion of science and language; it shows that language can live forever.

I’ve always looked at books as time capsules. I have a book in my bookshelf about Leninism, and I love it not because I’m really interested in its content, but because it was published in Russia during the second World War. It has seen so much, and has been passed through the hands of so many. Bök’s “Xenotext” is an extension of the notion of language as a time capsule, as this poem will continue on long after humans have gone, or until, in Bök’s words this evening, “the sun itself explodes”.

Christian Bök was the final reader of the evening, and there were three student readers before him. Each of them had their own specific style, ranging from prose poetry to more traditional, rhythmic verse. I always love to hear the work of other young writers, and be inspired by the uninhibited risks they take. Hopefully next year I’ll be reading some of my own work at the literary salon.

The salons are held every month at the Menagerie, an intimate café/bar in the QUT Creative Industries Precinct. For more information on the salons, and videos of the readings, check out their official blog at: https://qutliterarysalon.wordpress.com/

Thanks so much for reading,

Tamara Drazic